Fruity Loops 7,8,9 and 10 Mixes.   Go to Music Search

The mixes on this page are created with the Image Line Fruity Loops programmes. The mixes are all zipped, because they are faster for you to download. If a mix has any "imported" or "tweeked" samples, they are normally saved into the mix, but it makes the file size much larger. Any message or text that you want to send with your mix will be added as well, unless stated otherwise..

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There are currently 316 mixes on this page, the last was uploaded on 25/02/2017 19:08:03

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Mix Info:Technoid (Welcome) 3:06mins @130BPM Progressive Trance

Overall Rating
Artist:Epic_2_The_Max



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Made with Fruity Loosp 10.

US2K Review: Sorry folks this cannot be reviewed as it is by Max Motion and Yours Truly. I am giving Max a Score of 10 for his work though.


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Mix Info:The Spectre 3:56mins @140BPM 80s Electro Tech Trance Film Score

Overall Rating
Artist:Max_Motion



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A FL9 mix for ya Nige

US2K Review: This mix with an interesting 80s style techno film score with a musical hook influenced by electro, techno and trance, which I will for further references call the main theme. This is formed from a musical arrangement including a square wave flutelike instrument playing a lead melody, an organ that seems to morph into a sub bass at times, and another punchy bass line simply playing harmonizing accompaniment notes. Around the thirteen-second position a power down sound to announce a bass drum that is fairly gentle and plays some intermittent beats at first before changing its pattern to a four on the floor after a sound effect that is like a synthesiser laughing. A second "laugh" after 38 seconds and a short drop of the bass drum introduces a snare playing second beat bass drum accents and fill variations, the main groove. This groove continues with the main theme until the one minute thirty second position, with interest maintained via various sound effects including an atmospheric echo/delay treated effect right of the stereo field which sounds like a submarine bleep.

After the one minute thirty three position the lead flute/square waves plays a variation of its previous melody line and some "power up/power down" sound effects introduce a change in the mix which the accompaniment instrument and organ playing a bridge section descriptive melody. During the bridge there are yet more sound effects and some pretty fancy snare drum fills and variations. After another "synth laugh" sound effect a new musical theme begins led by the organ from earlier. The main groove drives this new theme with an additional hi hat. Although the foot taps a little there is no catchy melody hook and the melodies remain complex and descriptive in nature. The nature of this musical section I am not certain due to the non existent demarcation usually made clear with a drop of the drums but this section may be a continuation of the bridge and be a like a middle 8 in a pop song. This theme continues until the two minute forty-six second position in the mix, a sweep, "synth laugh", a snare fill and some other sound effects, a slightly more energetic version of main musical theme returns for the conclusion. The notes may be playing a bit faster or it could be the hi-hat in the mix that makes the main theme more exciting this time. This concluding theme continues until the three minute forty seconds play position before the last change in the mix is announced on a snare roll. This is followed by the "synth laugh" and an arrangement between the accompaniment instruments from earlier playing a melody to resolve the composition of the main theme. The mix finally ends on crash, sweep, sustained bass note and a metallic percussive right of the stereo field after three minute fifty four seconds.

My evaluation of this mix is that it is very well structures, it has some interesting melody lines, and there is the right balance of variation and repetition for a composition of its nature. The choice of instruments and use of sound effects my Max as usual is very imaginative, that was a nice touch that morphing instrument even if it was a pain for me to review, and the snare and other drum variations are skilful as usual. The use of studio mastering such equalisation, delay, reverb, stereo position etc is excellent. My final score is 9 out of 10 because this is a very produced 80s film score techno mix and well worth a listen to enthusiasts of that style of music, or anyone who enjoys 80s electro, techno or trance.


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Mix Info:Hidden(Remix of US2K s Hiding In The Dark) 3:12mins @140BPM Sci Fi Movie Score

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
That was a very quick remix Nige , replacing most of the Sytrus sounds with , Predator - Vanguard - Poizone - Nexus - Toxic Biohazard , i don't like using Automation clips unfortunately ( i use pattern clips - find it much easier ) or i would have played around with it a little more , i wanted to extend a part of it alot but couldn't find out how to cut and paste like you can with pattern clips ( maybe you can't?). I think using Sytrus for all samples makes the song sound a bit staid , don't you think?.

US2K Review: Max has really modernised my mix. This mix begins synth playing a basic introduction melody, and a sophisticated bass drum pattern. Shortly this arrangement joined by a catchy bass line and a typical complex Vangelis like lead line at a higher scale. There is a second synthesiser playing an answering melody, and the combination makes a lovely ethereal sci-fi techno theme. After 20 seconds and two crashes an open hi hat in introduced to the mix. Another crash at the 27 seconds position announces a closed hat, a change in bass drum pattern to four on the floor, and a snare to accent every second bass drum beat which seriously adds some energy to the mix.

There is an exciting arrangement up to the 34 second position at which point a bass drum roll introduces a short bridge in the mix consisting of no drums or percussion and a temporary alternative synth melody and a sweep. A crash a few seconds later announces the return of the four on the floor bass drum and snare pattern, short followed by the re-introduction of the hi hats also. There is a catchier version of the Vangelis like melody line too. A crash introduces a clap that has two purposes, the first to enhance the snare accent, and a second to play fills to keep the mix interesting. The mix continues this way up to the one minute thirty six second position, after which point a bass drum roll announces a second bridge. This section and alternative melody line in the original mix was intended to symbolise the sun rising and give the listener an intense sense of waiting, so all drums had to leave the mix and Max has kept faithful although there is a second synth line which fits the lead. After a crash there is some complex introductory bass drum hits before the return of the four on the floor, and like in the original the melody line from the bridge is used to drive the conclusion. Another crash introduces the hi-hats to add excitement and drive the mix effectively onwards. A faster 16th note rhythmic synth line is faded in. Although movie score techno I am confidence it is seriously danceable at this point. Steadily more percussive fills introduces yet more synthesisers to keep this mix interesting. The ending to the conclusion begins at the two minute 48 second position with the hi-hat leaving the mix, and then the clap that was doubling the snare. The last part of the mix is created with the departure of all drums and initially a duet between two of the synths that played the last passage of music, and then the most rhythmic of the pair plays a faded out solo. The mix finally finishes after 3 minutes 11 seconds on the delay tail of the last synth.

My evaluation of Max’s remix of my 'Hiding in the Dark' is that the structure is intelligent; there is great skill in the musical arrangement choices made. The production I think is better than mine was. The mixing and production are clearer, there some interesting subtle variations, crashes and fills to announce changes, and also generally there is more energy and a more interesting sound than my original. The conclusion for certain is much better and there is more space in the mix for the rhythm to have power. My version dragged a little. When I originally score this mix I was on anti-depressants, with my clearer mind I think this is worth 10 out of 10. All Vangelis fans must have a listen to this; Blade Runner seriously comes to mind when listening to this mix. I think trance and techno lovers will also enjoy this too though.


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Mix Info:Butterflies Come Back! 4:07mins @135BPM Progressive Trance

Overall Rating
Artist:Epic_2_The_Max



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Message sent with this Mix:
Message from Max, Got my teeth into this Nige , great rift!! , lets see what you do with this !!.Couple of samples added

US2K Review: No review as this is a collab between Max Motion and I.


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Mix Info:Arctic Moon - True Romance (Sasa Clubber Remix) 7:38mins @140BPM Progressive Trance

Overall Rating
Artist:Sasa_Clubber
(Now_Signed)



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Remix of Arctic Moon - True Romance. The original music video is here . The remix makes it more suitable for Europe. Buy more of my music from Tainted Buddah Records

US2K Review: This mix begins a reverse cymbal before a ping-pong delayed trance bass line and a four on the floor bass drum enter the mix. After about 24 beats and a bass drum variation a clap to accent every second beat enters the mix. The foot is already tapping at this point, but after 30 seconds into the mix when the bass drum variation takes place and the hi hat enters the mix it is obviously going to be a seriously danceable trance mix. This groove continues for a further 5 seconds before a temporary drop of the bass drum and a crash to announce its return. A trance melody riff right of the stereo field is slowly faded into the mix. A sweep sound effect and another temporary pause at the one minute 19 seconds into the mix add interest to the mix whilst concealing the fact that the trance melody has suddenly become louder. The melody continues to get louder and thereafter becoming the catchy lead hook. The mix remains enjoyable right up to the two minute 15 second play position when a drum variation and crash announces the clap' s departure allowing the hi hat to seriously drive the mix onwards to the bridge section whilst the hook continues to get louder and more atmospheric filling the listener with a sense of awe.

The bridge section begins with a massive drop of the drums and then a huge atmospheric pad/string creates a moment where I am sure the revellers at a field party would be waving their arms to like mad. This pad gets more intense as it goes, natural highs all-round. After a subtle wind or cymbal sound around the three minute 13 second mix position another hook (hook 2) that harmonically matches the pad is skilful fading in, subtly at first, but then more energetically. What is so interesting is that intensity of the hooks the foot is tapping without a bass drum so this section is very cleverly produced.

A whoosh followed by a stuttered instrumental sound announces the return of the drum pattern with hook 2 taking lead to drive the mix. The pad remains in the mix for atmosphere and maintain a sense of uplifting happiness. A whoosh sound at the 6 minute 36 second play position announces the conclusion to the mix which is "hook two" fading out over a delayed bass line and drum pattern. After the seven minute one second mix position another cymbal sound and short drop of the bass drum, the clap drives the mix with the bass line for about ten seconds before instruments start leaving the mix. The clap leaves first and then the bass drum, and then the mix finally ends cleanly on the bass line after a massive atmospheric reverse cymbal blending into a zap sound. after 7 minutes 38 seconds.

My evaluation of the mix is that it is very professionally composed and engineered progressive trance production. The structure is very intelligent and the melody hook lines are very addictive and happy/uplifting in nature. The sound quality is crystal clear indicating some very skilled equalisation and mixing. The variation in the mix is spot on, and the use of drum fills, sound effects to keep the listener interested or announce changes is excellent too. This production continues to be an addictive listen throughout. Credit has initially got to go to the original artist Arctic Moon but this is an excellent remix of an already brilliant record. My score is 10 out of 10 and I am so impressed with this artist, visitors may think of buying some of Sassa' s music after listening to this remix and is excellent.


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Mix Info:Dark Art 3:31mins @125BPM Experimental Dub Step

Overall Rating
Artist:Max_Motion



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Back again Nige , here's a different one for ya.spooky!!

US2K Review: This mix begins with some menacing sweeping synth pads, and other higher pitched urgent synthesiser patches. After an atmospheric whoosh an underwater sound, and some laughter there is a spooky vox 'Edward' and yet more 'dark' sounds. Forty one seconds into the mix a heavy dub step drum pattern enters mix accompanied by the collage of sounds from earlier,but with a milk bottle sound famously used by the Prodigy for percussion to accent repeats of the drum pattern. This pattern which I will refer to as the main theme repeats until the two minute twenty second position in the mix, where there is bridge consisting of a more frequently repeated occurrence of the 'Edward Vox', less pads, a submerged sounding wobbly delayed bass line, and a reverse cymbal that sounds almost like a deep breath, which I will call the "breathing cymbal". The bridge finishes at the two minute 40 second position after which the main theme returns but with the "breathing cymbal" for approximately 20 seconds. The mixes finally finishes on mad laughter in the same way as Thriller by Michael Jackson did, but with also another sound which could be either running water, carriage wheels or a mechanical device of some type.

My evaluation of this rather eerie mix is that it has a simply but effective structure, there is plenty of imagination and atmosphere and something in the mad sound collage that compels the listener to continue their journey into what seems like the Asylum in the House on Haunted Hill. The melody and drum patterns are not catchy but functional in driving the mix onwards. The use of reverb, delay, sterol position, equalisation and other mixing and mastering effects demonstrates great skill. The use of sound effects and pads to keep interest is excellent. My score rises from 7 out of 10 to 8 out of 10 as the mix is much better than I first thought. It is one of those pieces of music to listen to after a night out clubbing, or for background music to some visual horror action. Visitors who like something a bit different will love this!