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There are currently 324 mixes on this page, the last was uploaded on 18/11/2017 19:28:36

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Mix Info:To Hear Is To Believe 3:53mins @140BPM Techno

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Nige , i made this track especially for the compo , thought i had better make an effort ,rather than just putting in one of the many tracks i have in the bank!!.

US2K Review: This mix begins with a four on the floor bass drum and happy catchy techno/dance hook (the main hook) formed from either a single techno synth or a duet of two, there are definitely set of melody lines answering each other. After 13 seconds the roll announces itself with a roll and then resumes the role of accenting every second bass drum beat, and making the mix very foot tapping. This theme continues until the 37 seconds position at which point a snare roll makes the mix fresh and again and does that little trick of Max' s of swapping the strong and weak beats round. There is more trickery at the 44 seconds position achieved either with a filter cut, side chain compressor or equalisation, or is simply shorter notes? The result is a temporary "duck of the mix". Shortly afterwards a snare roll introduces some atmospheric vox, and a hi-hat, ride or shaker percussion loop low down in the mix. The vox music remains interesting right up to the one minute 15 seconds position where the first bridge in the mix reached.

This bridge is announced with what sounds like some acid click/laser sounds treated with heavy delay, also there is a change is drum pattern. There is change from the four on the floor groove to a sophisticated syncopated swing beat. There is a change in melodic theme too at this point, the techno synth has been replaced by an instrument sound which is more organ like in character and also a squelchy acid bass line has also been added to the mix. The notes played by the new instruments are more stabbed/stuttered instead of playing a hook line. This idea works well to add emphasis to the swing of the mix. The drums are definitely leading this bridge section very effectively.

Around the 1 minute 29 second position there is a vox shout, and a little after drum fills and rolls, and sound effects including what sounds a car horn all server to add interest to the listener. The bridge lasts until the two minute three second position, after which point the four on the floor drum pattenr returns, and the hook from the beginning of the mix with the new organ sound playing an accompaniment melody, and some different occasional vox, what sounds like a "whoo whoo". The result is even catchier than before and it continues to be addictive for a whole 41 seconds, with the help of a what sounds like a laser explosion half way through.

At the two minute 43 seconds position a drum roll introduces the conclusion the mix which is a bit more "free style" than the rest of the mix. The melody line is more reminiscent of jazz than techno at times from this point but nevertheless is catchy. Sound effects and vox continue to add interest to the mix and the bass drum patterns are very imaginative, human sounding, and remind me more of rock music than techno at this point.

At the three minute 15 seconds position the mix has what sounds like a temporary bridge achieved with a temporary drop of the bass drum and some improvised snare fills. After this final bridge there a final conclusion consisting of an occasional vox shout of what sounds like the word "hear" and a faster note sequence of answering melodies based on the main hook, but at one point towards the end of the mix forms an Egyptian scale.

The musical arrangement includes every synth from earlier except the acid bass line. This is a very short finale, which ends suddenly with a drop of the bass drum and snare, leaving some trebly sounding percussion, a melody line becoming a long discordant stab, followed by a rapid descending scale, and one final "woo woo" vox to finish the mix at after 3 minutes of 39 seconds play time.

My evaluation of this mix is that it has some very catchy hook melody lines in places, and the balance of repetition/variation to maintain interest is very good. The structure and musical arrangements are very well thought out and the change of drum pattern from four on the floor in main passages to swing or adlib/freestyle in the bridges is a really nice touch to the mix. The use of vox, sound effects and drum fills, to add interest or announces changes is of Max’ s usual high standard. The general studio production including equalisation, reverb, delay and positioning of instruments demonstrate great experience and sound engineering expertise. My final score is 9 out of 10 because although this is a very good techno production I have heard Max do better. I recommend this mix as a good listen to any visitors who enjoy catchy techno with a tw


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Mix Info:Emergency! 6mins @138BPM Tech Trance

Overall Rating
Artist:Max_Motion



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US2K Review: The mix begins immediately with a police or fire engine siren. The hook is almost immediate too consisting of a catchy mid octave raspy synth lead melody, 4 on the floor bass drum with snare accenting every second beat, and of course half beat open hi hat. This the main groove for this mix. There are some atmospheric vocal whispers in the mix too.

There is a series of bass drum fills before a techno bass line enters the arrangement, at which point the music is already seriously danceable. Things are kept interesting by occasional bass drum rolls or fills for a full 46 seconds the siren returns, introducing the first short break/bridge in the mix at the 55 second position. This is formed simply by the drum pattern, and bass line leaving the arrangement for about half a second whilst the siren and synth lead have dominance. The main groove and bass line return very shortly afterwards at full strength putting listener back into "dance floor mode". This time Max has sneaked in an echo treated clap to drive the mix a bit more which ensures the mix continues to be foot tapping whilst slowly becoming mellower. These changes include the bass becoming less powerful and higher in frequency, and the drum pattern becomes more laid back allowing an orchestral pad sound to slowly emerge in the background.

The mellower more trancey theme continues with numerous subtle sound effects and some atmospheric vox speech and shouts that at times seem to have similarities to the emergency siren. This musical idea is kept interesting right up to the 3 minute, 28 second position in the mix because Max’s bass drum/heavy snare fills ever so often ingeniously change the listeners perception of what is the strong or weak beats in the music so the result is the hook and main groove start point changed keeping the mix "fresh". After this point the original synth instruments plays shorter notes and a new more powerful ravey lead is faded in on the left of the stereo-field. This new synth soon takes the role of lead alternating between playing a catchy hook or notes of a more descriptive and discordant nature.

The drum pattern seems to slowly gain in intensity towards the four minute mark. I am not certain if this is due to a doubling of the accent snare, a volume change, equalisation or an illusion of some type as a result of another change. After that point the rave lead instrument begins to change its melody line. Fourteen seconds later it is playing what sounds like an arpeggio sequence before a bridge in the mix is reached. Once again this is achieved by the drums being dropped, but this time the snare remains. The atmospheric vox and sirens also momentarily have a very strong presence; there is what sounds like an argument. This bridge is longer than the last and a snare roll announces the return of the main groove and the last section of this composition.

The vox are initially retained but soon dropped in favour of a sweepy sounding orchestral pad playing a very atmospheric musical concept on long notes (minims or semibreve 2-4 beats in length). At this point the rave synth plays higher notes and occasionally to add detail to the music. This themes until the four minute fifty eight seconds position in the mix at which point. The drum pattern changes temporarily at this point, the clap leaves the mix and the snare changes is roll from playing accent of second bass drum beats, to only an occasional hit every 4 to 8 beats. At the same time original lead synth hook from the introduction gains in mix presence before climax to the mix begins after a bass and snare roll.

The climax includes the return of the main groove without the clap, whilst both synths that have led at some point play complimentary multi-octave arpeggiated 16 note melody sequences. The results are discordant at times but not out of tune, instead more reminiscent of an acid bass line. The synth on the right side also plays another melody at a lower bass octave. The atmospheric vox and sirens also return to the mix taking lead as a result of being central of the stereo-field and to the synths being left and right of that position. The result is a temporary high energy techno feel to the music with drum fills retaining this feel. The mix continues to sound like this until the five minute 38 second position after which the lead on the left has its note sequence changed to a slower ending melody and the right synth plays the theme it originally played as a bass at a higher octave and lower velocity. After this point there distinct sense of a "wind down" with fills leading to drums leaving the mix, whilst the siren gets louder. The mix conclusion is formed from an arrangement of gentle bass drum, snare, closed hi hat, one last note from the synth on the right sustained so it sweeps out, combined with a siren and atmospheric vox shout.

My evaluation of this mix is that it is well structured, and has the right balance of repetition and variation. Max always uses some sophisticated drum fills but he has surpassed himself here in using them to change the bar starts to keep parts of the composition interesting which would otherwise have become too repetitive. The use of atmospheric sound vox and other effects is of the usual standard of the artist. Stereo positioning, equalisation, reverb, delay and other mastering effects demonstrate great production skill. The melodies range from interesting, catchy and exciting; also the mellow pads are a nice touch to the mix. To sum things up this is an excellent imaginative techno trance production that is well worth a listen to those who enjoy this kind of music, so my score is 10 out of 10.


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Mix Info:Technoid (Welcome) 3:06mins @130BPM Progressive Trance

Overall Rating
Artist:Epic_2_The_Max



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Message sent with this Mix:
Made with Fruity Loosp 10.

US2K Review: Sorry folks this cannot be reviewed as it is by Max Motion and Yours Truly. I am giving Max a Score of 10 for his work though.


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Mix Info:The Spectre 3:56mins @140BPM 80s Electro Tech Trance Film Score

Overall Rating
Artist:Max_Motion



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A FL9 mix for ya Nige

US2K Review: This mix with an interesting 80s style techno film score with a musical hook influenced by electro, techno and trance, which I will for further references call the main theme. This is formed from a musical arrangement including a square wave flutelike instrument playing a lead melody, an organ that seems to morph into a sub bass at times, and another punchy bass line simply playing harmonizing accompaniment notes. Around the thirteen-second position a power down sound to announce a bass drum that is fairly gentle and plays some intermittent beats at first before changing its pattern to a four on the floor after a sound effect that is like a synthesiser laughing. A second "laugh" after 38 seconds and a short drop of the bass drum introduces a snare playing second beat bass drum accents and fill variations, the main groove. This groove continues with the main theme until the one minute thirty second position, with interest maintained via various sound effects including an atmospheric echo/delay treated effect right of the stereo field which sounds like a submarine bleep.

After the one minute thirty three position the lead flute/square waves plays a variation of its previous melody line and some "power up/power down" sound effects introduce a change in the mix which the accompaniment instrument and organ playing a bridge section descriptive melody. During the bridge there are yet more sound effects and some pretty fancy snare drum fills and variations. After another "synth laugh" sound effect a new musical theme begins led by the organ from earlier. The main groove drives this new theme with an additional hi hat. Although the foot taps a little there is no catchy melody hook and the melodies remain complex and descriptive in nature. The nature of this musical section I am not certain due to the non existent demarcation usually made clear with a drop of the drums but this section may be a continuation of the bridge and be a like a middle 8 in a pop song. This theme continues until the two minute forty-six second position in the mix, a sweep, "synth laugh", a snare fill and some other sound effects, a slightly more energetic version of main musical theme returns for the conclusion. The notes may be playing a bit faster or it could be the hi-hat in the mix that makes the main theme more exciting this time. This concluding theme continues until the three minute forty seconds play position before the last change in the mix is announced on a snare roll. This is followed by the "synth laugh" and an arrangement between the accompaniment instruments from earlier playing a melody to resolve the composition of the main theme. The mix finally ends on crash, sweep, sustained bass note and a metallic percussive right of the stereo field after three minute fifty four seconds.

My evaluation of this mix is that it is very well structures, it has some interesting melody lines, and there is the right balance of variation and repetition for a composition of its nature. The choice of instruments and use of sound effects my Max as usual is very imaginative, that was a nice touch that morphing instrument even if it was a pain for me to review, and the snare and other drum variations are skilful as usual. The use of studio mastering such equalisation, delay, reverb, stereo position etc is excellent. My final score is 9 out of 10 because this is a very produced 80s film score techno mix and well worth a listen to enthusiasts of that style of music, or anyone who enjoys 80s electro, techno or trance.


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Mix Info:Hidden(Remix of US2K s Hiding In The Dark) 3:12mins @140BPM Sci Fi Movie Score

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
That was a very quick remix Nige , replacing most of the Sytrus sounds with , Predator - Vanguard - Poizone - Nexus - Toxic Biohazard , i don't like using Automation clips unfortunately ( i use pattern clips - find it much easier ) or i would have played around with it a little more , i wanted to extend a part of it alot but couldn't find out how to cut and paste like you can with pattern clips ( maybe you can't?). I think using Sytrus for all samples makes the song sound a bit staid , don't you think?.

US2K Review: Max has really modernised my mix. This mix begins synth playing a basic introduction melody, and a sophisticated bass drum pattern. Shortly this arrangement joined by a catchy bass line and a typical complex Vangelis like lead line at a higher scale. There is a second synthesiser playing an answering melody, and the combination makes a lovely ethereal sci-fi techno theme. After 20 seconds and two crashes an open hi hat in introduced to the mix. Another crash at the 27 seconds position announces a closed hat, a change in bass drum pattern to four on the floor, and a snare to accent every second bass drum beat which seriously adds some energy to the mix.

There is an exciting arrangement up to the 34 second position at which point a bass drum roll introduces a short bridge in the mix consisting of no drums or percussion and a temporary alternative synth melody and a sweep. A crash a few seconds later announces the return of the four on the floor bass drum and snare pattern, short followed by the re-introduction of the hi hats also. There is a catchier version of the Vangelis like melody line too. A crash introduces a clap that has two purposes, the first to enhance the snare accent, and a second to play fills to keep the mix interesting. The mix continues this way up to the one minute thirty six second position, after which point a bass drum roll announces a second bridge. This section and alternative melody line in the original mix was intended to symbolise the sun rising and give the listener an intense sense of waiting, so all drums had to leave the mix and Max has kept faithful although there is a second synth line which fits the lead. After a crash there is some complex introductory bass drum hits before the return of the four on the floor, and like in the original the melody line from the bridge is used to drive the conclusion. Another crash introduces the hi-hats to add excitement and drive the mix effectively onwards. A faster 16th note rhythmic synth line is faded in. Although movie score techno I am confidence it is seriously danceable at this point. Steadily more percussive fills introduces yet more synthesisers to keep this mix interesting. The ending to the conclusion begins at the two minute 48 second position with the hi-hat leaving the mix, and then the clap that was doubling the snare. The last part of the mix is created with the departure of all drums and initially a duet between two of the synths that played the last passage of music, and then the most rhythmic of the pair plays a faded out solo. The mix finally finishes after 3 minutes 11 seconds on the delay tail of the last synth.

My evaluation of Max’s remix of my 'Hiding in the Dark' is that the structure is intelligent; there is great skill in the musical arrangement choices made. The production I think is better than mine was. The mixing and production are clearer, there some interesting subtle variations, crashes and fills to announce changes, and also generally there is more energy and a more interesting sound than my original. The conclusion for certain is much better and there is more space in the mix for the rhythm to have power. My version dragged a little. When I originally score this mix I was on anti-depressants, with my clearer mind I think this is worth 10 out of 10. All Vangelis fans must have a listen to this; Blade Runner seriously comes to mind when listening to this mix. I think trance and techno lovers will also enjoy this too though.


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Mix Info:Butterflies Come Back! 4:07mins @135BPM Progressive Trance

Overall Rating
Artist:Epic_2_The_Max



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Message sent with this Mix:
Message from Max, Got my teeth into this Nige , great rift!! , lets see what you do with this !!.Couple of samples added

US2K Review: No review as this is a collab between Max Motion and I.




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