Other  Mixes.


  The mixes on this page are used with packages such as Pro Logic for the Apple Mac, Audigy and a host of other music mixing or sequencing packages. If any of the mixes contain any samples from the other programmes then you will not be able to hear the full mix unless you have these programmes as well... The mixes are all zipped, because they are faster for you to download. If a mix has any "imported" or "tweeked" samples, they are normally saved into the mix, but it makes the file size much larger. Any message or text that you want to send with your mix will be added as well, unless stated otherwise.

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There are currently 224 mixes on this page, the last was uploaded on 22/03/2017 02:00:48.

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Mix Info:Alien 2:28mins @176BPM Drum and Bass

Overall Rating
Artist:Urban_Graphic



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Made with Pro Logic Tools.

US2K Review: This mix begins immediately with a classic swinging drum and bass pattern including snares and a ride or cymbal of some sort. After 16 seconds to maintain interest a synth line which sounds like a tuned space invader jingle or spinning UFO, joins the groove. At the 22 second mark in the mix the drum pattern is dropped for a break leaving the jingle to lead for a very short whilst. Then an intentionally distorted vox which could be an insulting phrase lol, but is not that clear add some humour to the mix, before the addition of a heavier dub step/drum and bass rhythm including "machine gun" snares, and crashes, to take control. There is also a slurping acid lead sound that pans right to left and back again, which works very well with the title and theme of the mix as it sounds like either another retro arcade sound or an alien slurping. After eight to ten bars of the harder swing beat, there is another drop of the drums for a very short break and a different distorted vox, before they return. The initial pattern is a slower more varied one that previously heard but after about two bars the harder one from earlier returns. This repeats until the 1 minute 16 second position after which another distorted vox leads to a third repeat of the harder swing beat for a further to 10 bars. This particular repeat demanded more variation in my opinion, but afterwards the listener gets some much-needed "relief". This is the drop of the drums leaving the space invader/flying saucer jingle to solo for 18 seconds before a new drum and bass beat enters the mix, possible the one from the introduction, and the slurping acid lead returns. The jingle fades out leaving the rest of the groove to form the conclusion until the 2 minute 17 second mix position where the slurping acid sound leaves the arrangement, shortly before all drums are dropped. Then to finish the mix some longer distorted vox that morphs into a sound of electronic equipment powering is used instead of a crash. This mix is generally very well produced, with sophisticated beats. Vox and sound effects are used to great affect, and mixing, and musical structure of a high standard. My only real disappointment is the point in the mix already mentioned where the same beat is repeated for a third time at which point is no longer interesting to the listener. One other improvement I think would have been the sound effects and vox to have a little reverb to make them more atmospheric. My final score for this mix is 8 out of 10 and I recommend everyone who likes drum and bass or dub step has a listen to this as it is still very good despite my minor criticisms.


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Mix Info:THE SUN RISES TWICE (clean mix) 4mins @83BPM 80s House

Overall Rating
Artist:Ed_Patterson
(_World_of_Mund_)



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Possibly a House Hit.

US2K Review: This house mix begins with a happy catchy Lead hook played on an electric piano or organ like sound. This hook is shortly joined shortly by a succession of accompaniments. The first is a synthetic brass which pans alternately left and right of the stereo position. The next instrument to show a brief appearance is a delayed orchestral sound that pans from the centre to the left. Forty five seconds into the mix a slow rising electronic pulse "power up" sound followed by an orchestral crash introduces a subtle 4 on the floor bass drum sound and a higher frequency mallet instrument that doubles the hook melody notes strengthening the groove. This reminds me of a barbershop choir where more vocalists join in over time. The affect is very exciting. At the one minute three second mark a snare drum enters the mix driving the groove because it is more powerful than the bass drum. The mix continues with this arrangement until the minute 21 seconds position at which point a very subtle but affective change takes place. This involves a drop of the instruments except the bass and original organ/mallet sound. This time though it is time for the drums and percussion to "say" something. The bass drum and snare lead at this point, with a new subtle hi-hat, with crashes and other cymbal/percussion fills to keep things interesting. A particularly nice touch is the second snare playing a rhythm with fills. This seriously gets the foot tapping. A little later there seems to be a previously unheard in the mix synth sound too which adds further interest. The accompaniment instruments returning with the extra powerful closed hat is a very clever decision too. There is a well-designed flow and the listener is now already on a fun mission of “what subtle change is going to take place next”. Of course sooner or later a bridge in the mix was likely to arrive and it sure did at the two minute six second position. This bridge consists of a simple but affective drop of the drum pattern to allow the hook to be restated on various instruments. Crashes retain interest until the very well timed solo of the brass lead at the two minute 27 seconds position to allow the listener a moment of reflection of the main musical theme. Afterwards the electronic "power up" sound is used to announce the conclusion which as its a house track is a repeat of the hook but with the brass leading this time and the full drum pattern from the bridge. This new arrangement repeats for around 28 seconds, with crashes and percussion variations to maintain interest. Next the more powerful hi hat returns, although previously used, sounding fresh again. The mix then continues with this arrangement to the final conclusion at the three minute forty-five second position in the mix. This consists of a crash and then the hook played on a single instrument, an electric piano or organ at mid octave, accompanied by the delayed, left right panning orchestral crash sound, very low in the mix, and to finally finish a very fitting whoosh sound. My final conclusions on this mix is that it is an excellent house track as sophisticated and catchy as the 80s Axel F single used for the Beverly Hills Cop sound track, using a classic round or cannon form. I find many house records in the modern times monotonous due their repetitious nature, as most artists in my opinion do not understand how to add interest effectively to the mix, but "The Sun Rises Twice" does not suffer from those issues. I have to score it 10 out of 10, because it catchy, interesting, of an appropriate length and I commend the use of instrumental arrangement changes, variation of stereo-position, delay, cymbals, drum pattern fills, and generally clever mixing to keep the mix forever subtlely changing. I think this would be very worthy of a commercial release; everyone should have a listen if they enjoyed the Axel F record, before the crazy frog franchise spoilt it.


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Mix Info:Vox 3:34mins @93BPM Dub Step

Overall Rating
Artist:Urban_Graphic



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First mix where vocals have been used keen to know what everyone thinks of it.

US2K Review: Another dubstep track by Urban Graphiic made with Pro-Logic. The mix begins with a phone sound and operator message. This is immediately followed by an atmospheric pad sound (theme 1) that reminds me of a "phone off the hook" because either it must be of a similar note range or the telephone idea has influenced the listener’s expectations. Either way it is very clever. The pad is accompanied by a laid back, subtly swinging, dub step drum pattern. This includes bass drum and syncopated clap/snare (main groove). Twenty two seconds into the mix the very appropriate vocal "Freeze", and the nature of the music genre, allows something that does not usually work well in a mix to be successful, a second of silence. This intentional false stop before the well-timed "Music Please" vocal announces a different pad sound playing a variation of the "Pone off the Hook", a deeper pulsing bass-line, and a return of the main groove but with hi hats or a ride(theme 2). This theme continues until 56 seconds into the mix before all drums leave the mix and the operator message is used again along with the a succession of the two "Phone off the hook" pads to form a bridge which affectively creates a feeling of anticipation. After this bridge the "Music Please" vocal reintroduces the main groove. After a few bars just when the listener needs a break from the groove the operator message and a drop of the drums is used again to announce the return of theme 1. After a few seconds theme 2 returns with a full drum pattern including hi hats/ride bass drum and snare/clap to drive the mix towards its conclusion. Although this instrumental lasts a whole second there are subtle changes in the pad and bass note with sweeps and filter affects to keep it interesting. The mix finally finishes on a solo of the second pad after 3 minutes 24 seconds. My score for this mix is 9 out of 10 because it is very atmospheric, intelligently structured. The choice of instrument and sound, and stereo positioning is well done and the use of variation and vocals to keep the mix interesting is well planned. This latest dub step mix generally has considerable commercial potential. In my opinion a suggested improvement would have been more use of the telephone themed vocals towards the end, such as the speaking clock or similar to finish with humour. This particular mix could work in a sit down chill-out club scenario or for film track music. It is an excellent example of the dub step genre. I am very impressed with this mix, and suggest dub step fans have a listen.


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Mix Info:Sasa Clubber - Get Crazy (US2K Test Edit 4) 5:02mins @135BPM Tech Trance

Overall Rating
Artist:Sasa_Clubber_&_US2K



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Thank you Max for your feedback on all previous edits. I have now covered the mis-placed silence with beats from the start of the track. I hope this works better, I am not fully convinced. If I had the FL mix from Sasa Clubber this would be easier.

US2K Review: A review is unlikely.


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Mix Info:Sasa Clubber - Get Crazy (US2K Test Edit 3) 4:19mins @135BPM Tech Trance

Overall Rating
Artist:Sasa_Clubber_&_US2K



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This is edit three of Sasa Clubber' s Get Crazy. All three edits were done with Magix Audio Studio 2005

US2K Review: Review is unlikely on this.


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Mix Info:Sasa Clubber - Get Crazy (US2K Test Edit 2) mins @135BPM Tech Trance

Overall Rating
Artist:Sasa_Clubber_&_US2K



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Message sent with this Mix:
This is US2K Edit 2 of Sasa Clubber' s Get Crazy.

US2K Review: Review is unlikely